CBE 115Creative Business and Entrepreneurship
Copyright for Visual Artists
Understand copyright and moral rights for visual work in Canada, with international comparisons: ownership, duration, registration, fair dealing and using others' work.
About this course
Every visual artist creates copyright-protected work and uses other people's work for reference, inspiration or collaboration. This course explains, in plain language and with reference to the Copyright Act (Canada) and the Canadian Intellectual Property Office, what copyright covers, who owns it (including commissioned and employment situations), how long it lasts, what moral rights are, how voluntary registration works, and how fair dealing in Canada differs from fair use in the United States. It also covers using references, stock, fonts and AI tools responsibly. Educational information only.
Who it’s for: Illustrators, designers, photographers and fine artists at any stage. No legal background needed.
You will be able to
- Explain what copyright protects and when protection begins for a visual work
- Identify who likely owns copyright in common scenarios and what questions to ask
- Explain moral rights in Canada and how they differ from economic rights
- Describe how voluntary copyright registration works in Canada
- Distinguish Canadian fair dealing from U.S. fair use in general terms
Studio project
A rights inventory of ten of your own works, with ownership reasoning, third-party asset checks and questions for a qualified professional.
To complete this course
- Complete every required lesson.
- Have the assignment “Rights inventory of your own work” accepted by an instructor.
- Records of completion are issued only for courses whose content has passed instructor review.
Part of
Syllabus
Working titles: they may change as the course is written.
Module 1: What copyright is
The basics, in plain language.
- 1.1What is protectedReading · 25 min
- 1.2Economic rightsReading · 20 min
- 1.3How long it lastsReading · 20 min
Module 2: Who owns it
Creator, employer, client: it depends.
- 2.1Ownership scenariosExercise · 35 min
- 2.2Assignment vs licenceReading · 20 min
Module 3: Moral rights and registration
Rights that stay with the author, and optional registration.
- 3.1Moral rightsReading · 25 min
- 3.2Registration in CanadaReading · 20 min
Module 4: Using other people's work
References, inspiration, stock, fonts and AI.
- 4.1Fair dealing and fair useReading · 30 min
- 4.2References, inspiration and copyingReading · 25 min
- 4.3Stock, fonts and AI toolsReading · 25 min
Educational information about Canadian and international practice, not legal advice. Rules differ by country and situation. For decisions about your work, contracts or a dispute, consult a qualified lawyer or other professional.
Sources
- Copyright Act (R.S.C., 1985, c. C-42) · Government of Canada, Justice Laws Website · accessed 2026-11-04
- A guide to copyright · Canadian Intellectual Property Office · accessed 2026-11-04
- What is Copyright? · U.S. Copyright Office · accessed 2026-11-04
Author: Ricketts University curriculum team (draft for founder review) · Not yet reviewed
Related courses
- CBE 101
Freelancing Fundamentals
Set up a freelance creative practice: business basics, records, taxes and GST/HST in Canada, simple agreements, invoicing and a sustainable workload.Creative Business and EntrepreneurshipFoundation14 lessons · ~10 hPlanned - CBE 105
Finding Graphic Design Clients
Decide who you design for, where those clients look for designers, and how to become easy to find and easy to hire.Creative Business and EntrepreneurshipFoundation9 lessons · ~8 hPlanned - CBE 110
Finding Creative Opportunities
Find and apply for calls for art, juried shows, grants, residencies, markets and commissions, and track every application in one place.Creative Business and EntrepreneurshipFoundation10 lessons · ~8 hPlanned